Materials and Pigments: Chemistry as a Time Machine
Prussian blue appears after the early 1700s; synthetic ultramarine after 1826; zinc white in the nineteenth century; titanium white largely twentieth century; phthalocyanine blues and greens mid-century. If a “seventeenth-century” painting contains these, authenticity is doubtful.
Materials and Pigments: Chemistry as a Time Machine
Oil, egg tempera, or glue distemper point to different eras and studios. Gesso preparations, canvas weave patterns, and panel woods matter too. Dendrochronology can date oak panels, while thread counting can fingerprint canvas bolts. Ask experts to compare with period norms.
Materials and Pigments: Chemistry as a Time Machine
Portable XRF, FTIR, and Raman spectroscopy identify pigments and varnishes with minimal risk. Tiny cross-sections sometimes clarify layers. Always request readable reports, not just lab numbers. Share your lab experiences to help others choose reliable, transparent testing partners.